CAMPAIGNS
At Paramount, production of global 360° campaigns was a key part of series marketing for Paramount+ and Showtime. Managing large crews, multiple sets, and A-list talent, the team delivered key art, motion, and social content that built award-winning campaigns.
1923 | SEASON 1
Following the massive success of 1883, 1923 S1 was the largest marketing campaign to date for Paramount+. The creative included key art, portrait, and period photography, along with several motion concepts for DOOH, social, and linear placements. Key assets were captured in one high-volume production day at the Dutton Ranch location outside Butte, Montana, where five sets ran simultaneously. With no local studio space, a large structural tent for interior setups was constructed. And with a limited local production base, crew and equipment were sourced from LA, Salt Lake City, Bozeman, and Missoula. Working with show teams - including glam, costumes, props, animal wranglers, transportation, and locations - the crew count was 200+.
The campaign was later extended with secondary motion shoots in LA and New York and cast interviews in Butte, Los Angeles, and Malta.
KEY ART AND PORTRAITS
Photographer James Minchin captured the cinematic key art and character portraits, working inside our custom-built studio and across the landscapes of the Dutton Ranch. Designed to establish the dramatic tone of the series, these setups delivered the campaign’s core launch imagery, including an exclusive Vanity Fair First Look featuring Harrison Ford and Helen Mirren.
OROTONE PHOTOGRAPHY
To lean into the show's 1920s setting, photographer Sarah Coulter captured period-authentic portraits on set using a large-format Graflex RB Super D 4x5 camera. She later developed the prints at a New York City lab using the historic Orotone process. The resulting gold-toned images anchored our social campaign and were integrated into motion concepts for DOOH.
OF THE EARTH MOTION SERIES
The Orotone stills became the foundation for the Of the Earth motion creative. Shot with a Phantom camera on a stage in Los Angeles, we set the framed Orotone stills, show props, and a fabricated 1923 sign in a recreation of Montana soil. This creative was a key part of DOOH, social, and linear placements in the lead up to the series
ADDITIONAL CAMPAIGNS
1883
WEATHERFORD, TX
KEY ART, PORTRAIT, GALLERY, AND PERIOD PHOTO, MOTION, A/V
THE OFFER
LOS ANGELES, CA
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
FATAL ATTRACTION
LOS ANGELES, CA
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
GREASE: RISE OF THE PINK LADIES
VANCOUVER, CAN
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
PICARD S3
LOS ANGELES, CA
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
STRANGE NEW WORLDS S2
TORONTO, CAN
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
TULSA KING S1
OKLAHOMA CITY, OK
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
LIONESS S1
MAJORCA, SPAIN
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
SEXY BEAST
LIVERPOOL, UK
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
BASS REEVES
WEATHERFORD, TX
KEY ART, PORTRAIT, GALLERY & PERIOD PHOTO, SOCIAL, A/V
HALO S2
BUDAPEST, HUN
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
FRASIER S1
LOS ANGELES, CA
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
SECTION 31
TORONTO, CAN
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
LANDMAN S1
FT WORTH, TX
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
HAPPY FACE
VANCOUVER, CAN
KEY ART, PORTRAIT & GALLERY PHOTO, A/V
DEXTER: ORIGINAL SIN
LOS ANGELES, CA
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V
YELLOWJACKETS S3
VANCOUVER, CAN
KEY ART, PORTRAIT, GALLERY PHOTO, SOCIAL, A/V
THE CHI S7
CHICAGO, IL
KEY ART, PORTRAIT & GALLERY PHOTO, SOCIAL, A/V
1923 S2
MISSOULA, MT
KEY ART, PORTRAIT, GALLERY & PERIOD PHOTO, SOCIAL, A/V
MOBLAND S1
LONDON, UK
KEY ART, PORTRAIT & GALLERY PHOTO, SOCIAL, A/V
DEXTER RESURRECTION
NEW YORK, NY
KEY ART, PORTRAIT & GALLERY PHOTO, MOTION, A/V